The Dance Academy is a rigorous pre-professional ballet training program that both honors the great traditions of classical ballet and embraces the new and contemporary.
Students learn masterworks and deepen their understanding of the great tradition of this art form. They also collaborate with the choreographers of today and develop their own creative voices. Our holistic artistic education shapes dancers as thinkers, artists, and performers as they experience life in the cultural heart of a global city.
I love the familial element at Colburn which is cultivated by a variety of insightful teachers who know how to draw out our individuality and artistic voice. It’s inspiring to watch my fellow classmates encourage each other and offer the support needed in this rigorous art form. Chloë Oronoz, Dance Academy student
I love the familial element at Colburn which is cultivated by a variety of insightful teachers who know how to draw out our individuality and artistic voice. It’s inspiring to watch my fellow classmates encourage each other and offer the support needed in this rigorous art form.
The rigorous Dance Academy curriculum is designed to prepare students for careers as dancers, focusing on classical ballet while providing instruction in other styles. By exposing students to choreographic masterworks with coaching by faculty who themselves are leaders in the field, the Dance Academy gives its students the tools they need to find a new richness in their dancing and become successful artists.
Such notable names as Wendy Whelan, Peter Boal, Helgi Tomasson, Mikko Nissinen, and Benjamin Millepied, have led Dance Academy master classes providing unique access and exposure to leaders in the field. As a result, graduates of the Dance Academy currently perform with New York City Ballet, San Francisco Ballet, Pacific Northwest Ballet, National Ballet of Canada and numerous other professional companies, trainee programs, and university dance programs.
Audition Information
Charlie Hodges is one of the Colburn Dance Academy’s inaugural faculty members.
Leslie danced the title roles in The Nutcracker, Swan Lake, Coppélia, Giselle, The Sleeping Beauty, and John Cranko’s Romeo and Juliet, as well as an extensive repertoire of the ballets of George Balanchine.
Katherine Cowgill began her ballet training at Minnesota Dance Theater in Minneapolis under the training of Lise Houlton and Marjorie Thompson, learning a strong basis of classical ballet technique and contemporary dance.
Zippora Karz is a former soloist ballerina with the New York City Ballet where she performed for 16 years on stage and in televised performances.