Two works on this program, both critically panned at their premieres, have since become audience favorites. Shostakovich’s Sixth starts with an achingly emotional slow movement before plunging toward a fast and fiery finish. In Tchaikovsky's lively Violin Concerto, the virtuosic demands made on the soloist never fail to leave audiences awestruck. The David Hockney-inspired opening work is performed in memory of composer, pianist, and former Colburn faculty member Sarah Gibson.
SARAH GIBSON Painting the Floor SHOSTAKOVICH Symphony No. 6 TCHAIKOVSKY Violin Concerto
Under the batons of Salonen Fellows Mert Yalniz and Aleksandra Melaniuk, soloists from the Conservatory perform concerto movements with the Colburn Orchestra.
This afternoon of playful pieces begins with Gershwin’s An American in Paris, which paints a vivid picture of life in the French capital—bustling streets, car horns, and all. The musical fireworks continue in a jazz-influenced piano concerto by Ravel before the lively spirit and dance-like melodies of Dvořák’s Eight Symphony close out the program.
GERSHWIN An American in Paris RAVEL Piano Concerto in G Major DVOŘÁK Symphony No. 8